Hagigit Ends the Summer with A Blast at the Jerusalem Theatre

[singlepic id=95 w=300 h=400 float=right]Hagigit, the artists collective I co-founded, was invited to participate in the End of Summer events by the Jerusalem Theatre. We spent the last few weeks in preparation for the three day event, our biggest event to date both logistically and in terms of crowd participation. We set up our famous outdoors studio, packed it with theatre-related props, set up a work station consisting of 6 laptop computers, 2 photo printers, a wireless router, and one strategically placed electric fan.

The whole shebang worked like so: people could play dress up and don outrageous costumes, three Hagigit members staged the studio scenes and photographed them, another member was in charge of downloading the photos and distributing them using our wireless network. Most of the photos were instantly printed by another member, and a few were manipulated using Photoshop by two other Hagigit members.
Myself? I was in charge of hooking up to the jumbotron, displaying the photos taken and playing the Photoshop screen-captures, to the amusement of the crowd.

Here is a short movie consisting of photos taken at the studio:

And here is an example of the sort of Photoshop work that was done in real time, played here at 8 times the original speed:

…oh, and we got mentioned here and here.

Love In The Tub: Jerusalemite.net Discusses Hagigit


Jerusalemite.net

Hagigit, the Jerusalem artists’ cooperative I co-founded, got some attention today in the form of an interview:
Jerusalemite.net, the self-proclaimed ‘definitive English-language culture guide to the center of the world’ published today an interview with Guy Yitzhaki, a fellow co-founder of our little art group. In the interview Guy discusses the goals of our group and elaborates on our most recent activity. Check it out!

Will That Be Cash or Credit?

Eytan Shouker, photographer, activist, and a former teacher of mine, notes that most of the people making a living from art are not artists themselves: museum staff, municipal and governmental culture department clerks, freelance curators, art critiques – all of them receive payments for their art-related work – while the artist usually settles for a stroke of his ego, and a couple of extra copies from the exhibit catalog. In his 2006 manifesto Shouker describes the common practice of offering artists nothing more than acknowledgement and credit, and sometimes reimbursement for their material expenses. The artists, feeling indebted to the powers that be for singling them out as worthy of an exhibit, accept these terms without ever thinking they deserve better.

[singlepic id=19 w=320 h=240 float=right]This month, Shouker has embarked on a project which aims to turn that art pyramid on its head, and help artists take charge of their future. He is arranging a group exhibit which will be funded by small amounts of money donated by individual artists. Based on the Million Dollar Homepage concept, he created a website, in which artists are invited to purchase pixels to fund the project, creating a Million Dollar Art Pyramid, so to speak.

The Pyramid Game exhibit will open March 15, 2008 at the Artists House in Tel-Aviv. Visit the official website (now-defunct) for more information.

Update: Eytan Shouker’s artwork featured in this post, which includes five of Hagigit‘s seven members, is now available for purchase, marked at 31,500 NIS.