From the people that gave us the CGI recreation of Tiger Woods’ sexcapades and the Conan/Leno fiasco comes the following video about Goel Ratzon, Israel’s so-called harem messiah. Chinese language skills not necessary:
A few minutes ago, Israeli filmmaker Ari Folman lost his bid for an Academy Award for Best Foreign Language Film. Hebrew speaking Waltz With Bashir, an animated documentary film, or documation, was Israel’s eighth nomination in this category and while everybody here hoped it would be Israel’s first win – unfortunately that was not in the cards tonight. Previous Israeli nominees include:
- Foreign Language Film Nominations:
- Sallah (Sallah Shabati, 1964)
The Policeman (HaShoter Azoulay, 1971)
I Love You Rosa (Ani Ohev Otach Rosa, 1972)
The House on Chelouche Street (HaBayit Berechov Chelouche, 1973)
Operation Thunderbolt (Mivtsa Yonatan, 1977)
Beyond the Walls (MeAhorei HaSoragim, 1984)
- Documentary Feature Nomination:
- The 81st Blow (HaMakah Hashmonim V’Echad, 1974)
- Best Actor Nomination:
- Chaim Topol (as Tevye in Fiddler on the Roof, 1971)
More on this on your mainstream media.
After winning numerous awards including a Golden Globe, Ari Folman’s documation ‘Waltz with Bashir’ has been nominated for an Academy Award for Best Foreign Language Film. Minutes ago, the Academy of Motion Picture Arts and Sciences has made its announcement for the 81st Academy Awards ceremony, that will be held exactly one month from today, on February 22, 2009, at the Kodak Theatre in Hollywood, California.
Some claim that Winsor McCay’s Sinking of the Lusitania (1918) is the first animated documentary just because it is an animation about something that really happened. I disagree with that notion as in my opinion it is merely a reenactment of true events done by animation. Chris Landreth’s short animated film Ryan (2004), on the other hand, is in my opinion, the very first animated documentary – or docu-mation as coined by THIN AIR. It is a recorded conversation turned into animation, between the director and the subject of the film, Ryan Larkin, an animation pioneer who passed away this year.