frgdr.com Blog

Watching the Eurovision Song Contest last night, I could not help notice that while each country had a different representative delivering its votes, somehow the female representatives showed similar characteristics. I am a firm believer in the law of large numbers and thus think a large sample size can sometimes reveal significant issues. As an artist I use mosaics from time to time to express various opinions, and so after composing this new work I think we can agree Europe still thinks women are nothing more than eye candy:

For higher resolution, press F11 and then click the image

Following is a legend with the name of each country corresponding to each photo’s location:

^* Out of a total of 43 representatives, 14 males were excluded.
^† Insignificant minor retouching was done on some of the photos.
^‡ The Turkish representative’s shirt was heavily retouched to remove some superimposed graphics

The image above (click it for a larger size) is an advanced draft of a new artwork of mine. I will be presenting it in a collective work of Israeli portraits by Ehrlich Contemporary Art Gallery in the Florentin Biennale in Tel-Aviv, this coming May.

Format: Digital print
Dimensions: 210mm x 297mm
Name: Undetermined as of now. Possible names in descending order of probability include

• I Was a (Already?) Cliché at Age 14
• cliche93
• Xerox-uality

Technique: The work is made out entirely out of digital-age found objects, that is, readymade images that were found on the Internet and were not photographed by me. The 12 images are all self portraits of 14 year old Israeli girls, each one published at Bona.co.il, an Israeli social networking website for high school students. The text below each image is the stats that appear in each of the online profiles correspondingly (stats were accurate when gathered, but may have changed since).
Theme: While the complete artwork stands by itself, it is the first of a series of planned works, all of which present my commentary on the role and image of contemporary women as reflected by the online presence of the next emerging crop.

Feel free to check out the online profiles, by clicking the link that corresponds with each photo’s location.

As always, I welcome your comments and observations. Oh, I forgot to mention I am toying with the idea of sending a personal invitation to the exhibit to each of the girls.

You probably remember how addictive was rating girls on HotOrNot.com a while back. A recently launched NYC Jelly project compares website design by showing you a screen capture of two homepages at a time, and lets you pick the winner. It is the ultimate HotOrNot for geeks and it is called CommandShift3.

Besides being utterly addictive, it is a great way to check out the current Web2.0 trends. At this moment in time, these are the best and worst designed websites:

Readers of my blog may have been wondering about the outcome of the Bread and Roses art sale I participated in. A couple of days ago I was quite taken aback by a phone call. It was the organizers of the charity auction calling to ask for my address, as they wanted to send me a cheque. You see, this specific charity event appealed to me, as aside from actually helping people in need, which is always nice, the organizers promised that the money collected from each artwork sold would be divided and 75% of it would be donated, while 25% were promised to be paid back to the artist.

Now, while receiving money is always fun, this cheque represents the first ever artwork of mine that was sold in an exhibit, by a stranger who actually raised his finger towards the wall, pointed to my work and said ‘I want to have this!’

The sold artwork is called ‘Jaffa Gate, Summer 2006‘ and it is a photo mosaic of one of the gates in the wall that surrounds the old city of Jerusalem, created using photos of the 119 fallen Israeli soldiers during the 2nd Lebanon War. The actual print size of the work is 80×60cm, which is important as it looks different from a distance and up close. Use the + zoom option to have a similar experience: