Super Size Me (USA, 2004) -- Director: Morgan Spurlock -- documentary
* Well, not really about food in general, but about the global and local impact of corporate production of our food.
** As with any of my ‘Top 10′ lists, upon publishing they usually don’t have 10 items in them as I like to leave room for future additions.
Can I be alone in my longing for inarticulacy, for a cinema that refuses to join all the dots? For an arrhythmia in gesture, for a dissonance in shape? For the context of cinematic frame, a frame that in the end only cinema can provide, for the full view, the long shot, the space between, the gaps, the pause, the lull, the grace of living.
I have compiled a list of movies I really like where pretty much nothing happens. In this age of nonstop-action films, these films dare to show the pause, the lull, the in-between, that which we call life. To say that nothing happens in these films is, of course, an oversimplification, and while these films are not boring, not by any stretch, they are the furthest thing from the climatic feeling you get in other films where a mystery gets solved, or when the two main characters finally fall into each others’ arms.
These films are certainly not for anyone, but those willing to risk losing ninety minutes off their lives, might gain so much more.
Over the years, the Israeli ad agencies seem less and less connected to the human experience and more and more willing to use anything to sell everything. In this list I attempt to countdown the most offensive advertisements created in Israel in recent years, in the hope of using shame as an incentive to be more creative.
While part 1 of this list focused on ads that were particularly insensitive towards historical tragedies of other nations, part 2 focuses on ads that use sexual harassments and hints of pedophilia as their storyline. Every time each of the following ads was criticized by the media and by consumers, the admen had the same exact response, claiming it was all done with a tongue-in-cheek approach, accusing the critics of being humorless sticks-in-the-mud.
2006 -- Chipsi Free TV Ad – McCann Erickson
A young boy in a Hugh Heffner bathrobe tells his mom to relax as he gets a visit from two teenage blondes. Had it been a young girl getting a visit from two high school guys, there is no doubt in my mind there would have been cries of pedophilia.
2008 -- Nescafé Taster’s Choice TV Ad – McCann Erickson
The new Mrs. Robinson apparently now has a craving for instant coffee and a different bachelor, dispensing sexual innuendos that would have been considered too shallow and obvious by 1980s porn directors. Nothing new, just your run-of-the-mill insult to intelligence.
2008 -- Kotex Dry & Soft Night TV Ad -- McCann Erickson
This is another example of a brainstorming joke that should have never left the ad agency’s conference room. Parents watching this ad with their kids are not only forced to answer questions about doggy style and the meaning of 69, but are also forced to try and explain how sexual positions correlate to female hygiene products. Totally inappropriate.
2007 -- Lighting Warehouse TV Ad -- Inbar-Merhav-Shaked
Miki Buganim, an Israeli hairstylist and a D-List celebrity, harasses salesmen with lighting-related sexual innuendos, looking for something for his bedroom, appreciating the fact that it bends -- the light fixture, that is – and upon hearing about the 70% discount, stating he would have also agreed to 69.
Since I find a good portion of all Israeli ads to be superficial and insulting to the intelligence, I actually consider this ad to be refreshing, believe it or not. Buganim, an effeminate gay guy, sexually harassing other people in a commercial, is actually progress in a twisted kinda way. Just like gay couples who want to hop on the marriage wagon, clearly seeing that half of the straights experience buyer’s remorse – when a gay guy sells, you know Israeli society had made some progress.
Over the years, the Israeli ad agencies seem less and less connected to the human experience and more and more willing to use anything to sell everything. In this list I attempt to countdown the most offensive advertisements created in Israel in recent years, in the hope of using shame as an incentive to be more creative.
2005 -- Yes Satellite TV Ad -- McCann Erickson
With millions of Vietnamese dead and 60,000 Americans dead, this ad counts on its viewers inability to feel any empathy to casualties of a war that is not their own.
2002 -- Yes Satellite TV Ad -- McCann-Kesher-Barel
With more than 1500 people who drowned in one of the worst maritime disasters, the creative genius of Israel’s leading advertising agency adds insult to injury and in an impressive juglling act puts the wheel of the liner in a woman’s hands.
