After two gruelling days working an assembly line like photography studio, I have found renewed faith in the photography of children. Trying to avoid kitsch as much as possible, I worried our cooperation with Jerusalem’s Train Theatre might prove to be void of artistic merit, but boy was I wrong. Yes, many of the photos were nothing more than Jewish kids in Purim costumes smiling for mommy – but from time to time, when not pressed to fake-smile, something much deeper and profound emerged.
Following is the photo I liked most out of these two days of work. My friend Guy hinted that I might like this photo because on a subconscious level it reminds me of photographer Cindy Sherman’s work. What do you think?
Hagigit, the artists collective I co-founded, was invited to participate in the End of Summer events by the Jerusalem Theatre. We spent the last few weeks in preparation for the three day event, our biggest event to date both logistically and in terms of crowd participation. We set up our famous outdoors studio, packed it with theatre-related props, set up a work station consisting of 6 laptop computers, 2 photo printers, a wireless router, and one strategically placed electric fan.
The whole shebang worked like so: people could play dress up and don outrageous costumes, three Hagigit members staged the studio scenes and photographed them, another member was in charge of downloading the photos and distributing them using our wireless network. Most of the photos were instantly printed by another member, and a few were manipulated using Photoshop by two other Hagigit members.
Myself? I was in charge of hooking up to the jumbotron, displaying the photos taken and playing the Photoshop screen-captures, to the amusement of the crowd.
Here is a short movie consisting of photos taken at the studio:
And here is an example of the sort of Photoshop work that was done in real time, played here at 8 times the original speed:
Barbecuing in a nature reserve is generally considered Israel’s national pastime, and from the look of it, the secret ingredient is placing the grill near thousands of your fellow Israelis. The more crowded the place, the tenderer the meat gets. Sacher Park in Jerusalem is just a big patch of grass within the capital city, but nevertheless thousands of Israelis choose to celebrate holidays by having a picnic there.
Hagigit, the Jerusalem artists’ cooperative I co-founded, erected its second outdoors photo studio in Sacher Park on Israel’s 60th anniversary, for that very reason. It was an opportunity to document a cross section of the people of Israel, and we had a lot of fun doing it. Here is a sample of the photos we took. Clicking a photo will open a larger version:
Hagigit group was founded by eight graduates of the Musrara photography school in Jerusalem. The group’s main goal is to create and encourage interdisciplinary art activities in Jerusalem, including exhibitions, street performances and cooperation with artists in different mediums and with the local community under the belief that art should not be confined to a small section of the public.
NBC’s Today Show had a segment today on Now I Lay Me Down to Sleep, a network of volunteer professional photographers who create portraits of terminally ill newborns at the family’s request and free of charge: